Wednesday, 16 October 2013

Pilgrym - Pilgrimage (2004)



A British band who only released one album and then disbanded. Their impact on the scene was none and I have never heard about them before I got this CD.

We are deep into melodic prog again. Or to be more precise; AOR and neo-prog. Add some symphonic prog in the vein of Genesis and you get this album.

The music is performed with keyboards, guitars, bass, drums and male vocals. The drum sound is a bit annoying bad. The rest is OK.

The band has implemented a lot of different styles on this album. The final songs is also performed live. The music is not too bad at all. It is very generic though and the album brings very little new to the table. A couple of instrumentals seems out of place here. The live tracks is best forgotten. The AOR tracks is very much in the Asia vein. The neo prog tracks is in the Pendragon vein.
This album sounds like a best of compilation from a band who came and then went again. It is a decent album though.

2 points

Tuesday, 15 October 2013

Rhun - Fanfare du Chaos (2013)



The debut album from this French zeuhl band.

Singing in kobaian, the band has Magma as a big influence. So much that we are talking about a legitimate child of Magma. Which is a good thing as this planet cannot get enough of good zeuhl. Or in this case; great zeuhl.

Rhun has taken Magma, added some Soft Machine and some Present to the mix to their music. The result is Fanfare du Chaos.

The music is dynamic, heavy and jazzy. The music is not so overwhelming operatic as Magma at their most heavy. Fanfare du Chaos is not like being hit in the teeth as some of the Magma's best albums did to me. The female opera vocals is not as dense as Magma's vocals. That is the difference between these two bands. Rhun most definate have their own style and ideas. They are not Magma copycats.

Fanfare du Chaos has enough great stuff to remind me why I love zeuhl. It is a fully blooded zeuhl album and a very, very welcome addition to my collection of great albums. In short; it is a great album.

4 points

Moon Duo - Circles (2012)



Space rock from USA and the second album from this duo. A duo consisting of Ripley Johnson from Wooden Shjips and Sanae Yamada.

Space rock it is with hypnotic, trippy repetitive melody lines with some vocals and distorted guitars on the top of them. The songs are pretty short and pretty song orientated instead of being long space jams. There is a lot of verse-chorus-verse repetitions here.

The songs are not particular good and I am not getting hypnotized at all by this music. The music falls between two chairs. It is too spacy for the songs crowds and not too spaced out for people like myself. Maybe it is stoner rock instead. OK, but I find this album pretty boring and uninspiring. Nevertheless; this is a decent album.

2 points

Monday, 14 October 2013

Sandcastle - And Then We Collide (2013)



Another young band from Italy with their debut album.

Sandcastle is embracing the new Anathema/Porcupine Tree form of progressive music instead of copying the old masters of Italian progressive rock. Add Sigur Ros, Radiohead, King Crimson and Linkin Park to the mix and you get the picture. Very contemporary and very modern. The music is both brutal metal like with chugging guitars and vocals mixed up with some more pastoral, low key post rock themes. The mix of light and darkness is what this album is all about. A concept album, in fact. A concept album about human relationships and it's paradoxes.

Everything is here. Chugging guitars. Long guitar solos. Good keyboard runs. Great English male vocals. Great sound. This one hour long album also have some great melody lines inbetween some more dull melodies too. This is a concept album though with some pretty long songs. One of them eleven minutes long.

The end result is a good album which does not really appeal that much to me. But fans of Porcupine Tree should really check out this album and band. It is nice that the music scene in Italy is in full bloom and produce great bands like this. A band I hope will write better songs next time as the potential for a great album is there. It is a good debut album, a good album.

3 points


Santoni. I - Noi (1972)



The one and only album from this Italian band.

I guess this is an LP I bought from a flea market, kindly donated by one of the many Italians in my area. I have no other explanation why this is in my collection. It has been ripped and transferred to my external hard disk as an MP3 file many months ago.

Anyway, this short lived band were operating in the Italian beat and pop genre. The flutes reminds me a lot about Jethro Tull. The Italian vocals the typical beat vocals. Some of the music reminds me a lot about Joe Cocker and his music. In other words; Italian beat with some saxophones and light hearted music.

The result is a decent album which sounds both aged and contemporary at the same time. Aged in my view, but I am pretty sure this music still have a big audience in Italy. Although I enjoy this album and Italian beat in small dosages, this is not for me though and awards it a decent status.

2 points

Sunday, 13 October 2013

Agents Of Mercy - The Black Forest (2011)



The third and so far final AOM album.

This Stolt-Sylvan cooperation expanded their sound greatly on this album after their not so great two previous albums. Gone is the Beatles aspirations and in comes a more Roine Stolt product. That means lots of symphonic prog with melotrons and guitar solos. The same goes for a lot better lyrics. The band became serious.

Yes, they still sounds like The Flower Kings. Roine Stolt has not changed from spots to stripes over night. With several Flower Kings members involved in this album, this sounds like one of their albums. Anyway, the songs are vastly improved and I am now tolerating the vocals too. There are a lot of very tasty guitar solos here too.

The end result is an album with a lot of great melody lines and details. There are not any truly great songs here. But my overall impression is that Agents Of Mercy has finally released a great album. It is highly recommended.

4 points

Amon Düül II - Nada Moonshine # (1995)



Their thirteenth album.

I am reviewing all their albums because of my morbid curiosity. Morbidity the band more than prove with this album. But at least; they have turned away from the song based concepts and more back to krautrock again in a morbid way. Sort of krautrock, that is.

The album opens up with a kind of a Pet Shop Boys song. That is the English electro pop band and not the Beach Boys album, btw. They continues down in an alley populated by INXS, Prince and bands I don't care much about. That and some Gong like songs.

The end result is not too bad. This female vocals dominated album has grown on me. It is only a decent album though which does not play to my heart strings. This is not my cup of tea, though.

2 points

Rush - Vapor Trails Remixed (2013)



The remixed version of an album many, very many people had problems with the sound on the 2002 version. Their comeback album after Neal Peart's known problems caused by events totally out of his control. Events which would had broken other men. But Rush came back and I regard 2002 as a full frontal attack on all the injustices (his daughter and wife's death) Neal Peart faced.

This year's remixed version does not have this raw anger though. Which is probably good as we can now fully concentrate on the songs themselves. The sound is far fuller and more rounded to suit Rush a lot better. It is the traditional Rush sound. Safe and a bit dull.

What did I give the 2002 version again ? Well, I cannot remember. What I get from the 2013 version is an album full of great Rush songs. The songs are still on the heavy side with some grungy guitars, bass and drums. The vocal harmonies are great too. I really find myself liking this album a great deal. I am enjoying listening to an album full of so diverse, cleverly crafted songs. The Rush were back and back with a bang. This is a great album and one who proves why Rush is such a great band. Get both versions as I have done..... and enjoy.

4 points

New Eden Orchestra - AnyMan (2004)



The debut album from this US band. A band with two albums so far.

AnyMan is a typical US neo/symph-prog album. It is highly influenced by the likes of Glass Hammer and Spock's Beard. Mostly Glass Hammer. That means an American version of Yes. And that English band is very much evident here. That with an American contemporary sound.

The music is big, bold and symphonic with a lot of neo-prog attributes. Americans never do modest things. This is not a modest album either. The sound is full of both guitars and various keyboards. The band uses both male and female vocals. Some of the songs has the usual AOR song structure. Others are more symphonic prog orientated.

The end result is a very promising album with good songs and a great sound. A couple of great tracks is missing though. But if you love Glass Hammer and Yes, this band and album is something you ought to check out.

3 points

My Tin Apple - The Crow's Lullaby (2013)




The debut album from this Italian band.

I expected a neo-prog album here. That is not what I got. My Tin Apple (what a band name !) is more down the road which I would call modern metal rock. That means Linkin Park like guitar walls and great, light male vocals. There is a lot of modern pop, or r'n'b as it is called now, in their music. Ditto for metal too. And we also get some emo hearts melting ballads and techno disco stuff here too.

The vocals are in English and the whole concept is both commercial and artistic. It is such a pity that the music is not that good. The art of good songwriting has escaped this album. I can see a big audience for this album and this band. Their website is great. But music wise, this album is merely decent. Neither is this my cup of tea. This type of music/racket is one of the reasons I never listen to radio anymore.

2 points

Homepage

Saturday, 12 October 2013

Ainur - From Ancient Times (2007)



The debut album from this Italian symph prog band.

Ainur is a band which has never really impressed me. From Ancient Times is their first album and it can be best described as a mix of goth and symph prog. The male, female and male opera vocals are in English. Their English is pretty heavy accented and leaves the impression that Ainur is grappling with the art of creating good music.

The music is a mix of goth metal and symph prog. It comes without any surprises or not so much originality. The thin male vocals is a punishment on the ears. They sounds like third rate German power metal vocals. The female vocals is not that great either. The mix of orchestral instruments, keyboards, guitars, bass and drums are not particular interesting either. This album is pretty poor in other words and my first one pointer for a while.

1 point

Falling Edge - Falling Edge (2013)



The debut album from this Canadian symph prog band.

This album is an hour long and has five songs. Three of them are around the fifteen minutes mark. The two others around the five minutes mark. Ambitious in other words and difficult to pull off.

The band has taken a lot from Yes and Genesis. The sound is neo-prog like though with some 1970s symph prog sound bits thrown in. Mostly some old vintage keyboards. And yes, there is a lot of keyboards of all sizes and shapes here. They are supported by guitars, bass, drums and some great vocals.

The end result is an album that does not hit me home as a symph prog fan. The reason is simply the lack of good melodies and songs. The band does everything else right. Well, the cover art work is not particular inspiring and appealing. But the rest is great. But the music here does not hit me at home. Sorry, but this is a decent album and nothing more.

2 points

Monday, 7 October 2013

Dzyan - Dzyan (1972)



The debut album from this German krautrock band.

Their 1975 opus Electric Silence is the one album most people know. But the band also released two albums before that album again. Their self titled debut album is a mix of some Soft Machine like jazz, some more cool lounge jazz with vocals and some krautrock. The vocals are good and so is the woodwinds, keyboards, bass, guitars and drums. The music also have some avant-garde stuff. But most of it is really melodic at the same time as being very krautrock in the vein of Amon Duul.

The result is a good album who has this very typical early 1970s sound. It has aged reasonably well too. The songs are good and this is a good slab of krautrock. Enough said.

3 points

Sunday, 6 October 2013

Frequency Drift - Laid To Rest (2012)



The fourth album from this German band.

I thought I had reviewed their earlier albums. But I must have mistaken this band for another band. Easy down as this band is a very much mainstream female fronted art rock/prog rock band. The sound is big with tonnes of guitars and keyboards. The sound is actually very operatic despite of the vocalist sounding like Dido. There are a lot of Wagner references here too. Heavy as in German music in other words.

The music is very good throughout though. The compositions is cleverly crafted with a lot of interesting details. Some of them are Eastern Europe influences too and pretty orchestral.

The album is missing a killer track or two to really lift it up to another level. But I have made a note of this band and will follow them. They really got something going for them.

3.5 points

Saturday, 5 October 2013

Vermilion Sands - Spirits Of The Sun (2013)



The second studio album from this Japanese symphonic prog band.

Supposed studio album, that is. It feels more like a compilation album with live tracks and a big difference in sound quality between the tracks. Most of the tracks has a pretty bad sound quality.

Vermilion Sands has been compared to Renaissance a lot. They do have a female vocalist and they can to a large extent be compared to Renaissance. Unfortunate, the pretty poor sound quality here is hiding what could had been a great, great album. I will go back their 1989 album Blue Water to make up my mind on what this band can do.

The not so good sound quality on the vast majority of the songs aside, the music here is good. The Japanese female vocals is not particular good and perhaps an acquired taste. A taste I don't have got yet. The cascades of keyboards, piano and guitars feels a lot Japanese to me. The end result is good symphonic prog and nothing more. I will though check out and review their 1989 album before I make up my mind about this pretty hyped up band. This album does not impress me, though.

3 points

Haze - The Last Battle (2013)



The sixth studio album from this English neo prog band.

Haze was indeed among the first neo prog bands in England and in the world.  Their first album was released in 1984 and the band has been on and off since then. They really never got their commercial breakthrough like Marillion did. They are in the second or even third division of neo prog bands.

The Last Battle is a proper studio album although it sounds a bit like a collection of songs from various periods of their career. It is obvious that Haze has collected everything they got from various writing sessions. The majority of the songs are neo prog in the folk rock vein. Some songs are more in the prog metal vein and they feels out of place with the rest of this album. They should had been dropped from this album too.

The majority of this album is folk rock influenced neo prog though and the songs are good. The opening song The Last Battle, the title track, really sets the tone for most of this album. A very guitars orientated album where the keyboards are well in the background. There are also some cello, flutes and fiddles here. The vocals are great.

The Last Battle is very much a neo prog album in an apple orchard and a very good album too. It comes recommended from me.

3.5 points

Friday, 4 October 2013

Protomythos - In Human Sight (2013)



The debut album from this Israeli project.

In Human Sight is a concept album about animal rights. So far, so good. The music is in this neo-hard rock style with harsh guitars and bass over some pretty good melody lines. A lot influences from Porcupine Tree and Trouble can be detected here. Space stoner rock in other words. Each song are different from each others. The songs are properly structured with not many instrumental solos.

The result is a very contemporary sounding rock album which will please those into song orientated neo-rock with lots of guitars and not much keyboards. The album last a good hour too. I really like these songs. There are a lot of great melody lines and guitar solos inbetween the pretty good standard fare.

In Human Sight is an album that has grown on me a lot during the last week or two. It is a very good album indeed.

3.5 points

Thursday, 3 October 2013

Govea - Danza Urbana (2009)



The debut album from this Mexican symphonic prog band.

Govea is the brainchild of Salvador Govea on the keyboards, Luis Guerrero on bass and Victor Valdovinos on percussion.Yes, that is the same setup as ELP. Comparrisons with ELP is unavoidable, I am afraid. But where ELP got their inspirations from the European and US culture, Govea is inspired by their homeland and the Latin-America scene. Al Di Meola's music seems like a big inspiration to this band.

The result is a good fusion between classical music, symphonic prog (ELP) and Latin-American jazz and fusion. Good, relaxing listening, you would say. Not quite.... The added avant-garde elements to their music does not make this an easy listening album. The music is pretty hard to digest at times. Most of this album does not have many good melodies either.

Hence, Danza Urbana is therefore a pretty eclectic album. It is an album I find good, but not a great album. I like what I hear, but there are far better albums out there in this genre. A very good status is awarded.

3.5 points

Tuesday, 1 October 2013

Babau & I Maledetti Cretini. Il - Dio Dio Mio, Che Cosa Abbiamo Fatto (2003)



The debut album from this Italian band with the long and very forgetable band name. What is wrong with a band name consisting of one or two names ? The Beatles band name did not hurt their career.

Sarcasm aside.......

We are deep into Rock Progressivo Italiano land again although the album artwork gave me a lot of associations to the Canterbury band Picchio Dal Pozzo. Incidently, they too are from Italy. And yes, the overriding mood on album is pretty Canterbury. The sound is very dark though and bring me a lot of Area associations. Ditto for punk and folk punk associations too. But mostly Area at their most freaked out. Not in a jazz sense though. It is more associations to Area at their most avant garde.

The vocals on Dio Dio Mio, Che Cosa Abbiamo Fatto is male and pretty theatrical. Not as in operatic, but more like in a musical folk halls sense. The music is performed with a lot of acoustic instruments like acoustic guitars. The bass are also very dominant here. Most of all; the vocals drives the music.

The result is a good, pretty folk avant garde dominated album in the good old Area mould. An album it takes a lot of time to really get into. Hence, it is a grower. A couple of killer tracks would had elevated this album to being a great album. I do understand why this album is so highly rated though and I will check out their new, 2013 album La Maschera Della Morte Rossa.

3 points

Monday, 30 September 2013

Gran Torino - GrantorinoProg (2011)



The debut album from this Italian band.

Coming from Italy, it is too lazy to simply label this as another Rock Progressivo Italiano band. First of all; their music is instrumental. Instrumental as in a mix of English symph prog and classical music. Although the music has a rock sound with a lot of electric guitars, this music has the same structures as classical composers like Mendelssohn, Debussy and Ravel.

There is also a lot of jazz structures here too. Music like this easily falls into the shopping mall music category. Not a type of music I like. But Gran Torino has managed to stay away from this trap. GrantorinoProg is a very dynamic album with some riveting music. The opening track Sinapsi really grabs the listener and very rarely let loose of the grip.

OK, not everything here is great. But the overall impression I get is that this is a great album which integrates electric guitars, piano, some church organs, bass, drums and keyboards into a powerful unit. It is an album well worth checking out.

3.5 points

Saturday, 28 September 2013

Allomerus - Allomerus (2012)



The debut album from this Australian band.

Allomerus is a band who operates between King Crimson, electronica, post rock and ambient avant garde rock. The song structures is fluid to say at least. The only song of note here is at the end of this one hour long album, well after the listener has given up hope.

The reason for the lack of enthusiasm is the frankly very dull and uninspiring music on this album. Ambient avant garde rock is good when the music has any purpose and is well made. That does not really applies to this album. As this is a debut album, it sounds like the two musicians is still trying to find their way and their purpose. They are seeking high and low on this album without really arriving there. There are some good music here, very sporadic good music. I also like the depressive soundscape on this album which reminds me a lot about the vastness of the Australian landscape. But there is not enough good here to interest me.

Check out the album on the link below and find out if you agrees with me.

2 points

The album 

Ange - Sève Qui Peut (1989)



Their 14th studio album and a concept album about the French revolution in 1789. 1989 was the 200th anniversary of this event.

The lyrics are in French and this is a concept album. I do know the history very well though and it is always great to listen to Francis Descamps vocals. He is in great form here. The music is a mix of their best album and the worst sound of the 1980s. A sound I hate. The sound is not a great sound either and a major let down of a rather fine album.

The songs are at best very good and this is a major improvement on most of their rather poor 1980s output. It is a kind of a comeback album too. The greatness of the once so great band Ange can be heard here. This is a step in the right direction although it is not their finest album.

3 points

Dark Radio - Oakwind (2012)



The debut album from this Portugese band, released on the 12. October 2012.

We are deep into modern prog aka Porcupine Tree and Radiohead here. Add Led Zeppelin, Fates Warning and Pearl Jam to the mix too and you get it. A bit heavy prog in other words with a lot of prog metal fused into the mix too. But it is not traditional prog metal by any means.

The vocalist sounds a bit like Eddie Vedder and the guitars are distorted. The band also uses piano and keyboards too. Spaced out grungy is what it sounds like. The music is tight and the vocals is great.

The result is a good album which is streamed on the link below and well worth checking out. I am by no means a fan of this type of music. But I still like this album.

3 points

The album

Flamborough Head - Defining The Legacy (2000)



The second album from this Dutch neo prog band.

Although neo prog is a slightly misleading label. This band, who has taken it's name from a cliff just north of Hull in Yorkshire, is nicely combining British symph prog, British neo prog and Dutch symph and neo prog. The band is very much Holland meets Great Britain on this album. I am a fan of British symph prog bands like Genesis and Yes. Hence, I really like what I hear from my speakers when this hour long album is spreading good vibrations around my living room.

The great music on this album is performed with piano, keyboards, guitars, bass and drums. The guitar solos is great and ditto for Mr Siebe-Rein Schaaf's vocals. The sound and music is mostly soaring towards the sky, the open skies above the headland called Flamborough Head. This is majestic stuff which really strikes a chord with me.

Defining The Legacy is a great album with some great epic songs which really needs to be heard. This is my first meeting with this band and I am close to becoming a fan based on this album alone. More of the same band, thank you.

4 points

Monday, 23 September 2013

PBII - 1000 Wishes (2013)



The second album from this band who were previously known as Plackband.

PBII is a Dutch neo prog band. 1000 Wishes is a concept album with narrations and the full concept album package. It is also a very moving concept album about Eric, a nine years old leukemia sufferer and his fight against this horrible, horrible illness. No nine years old boy should have to endure leukemia.

This story is both the biggest strength and weakness of this album. The narrations, lyrics and music is a painful listen because it hits home as straight in my solar plexus. That hurts and makes this album a far from comfortable listen. It is not an everyday album.

It's biggest strength is the music. The music has been created with a full symphony orchestra which is backing up some Genesis and Marillion type neo prog. 1000 Wishes is in my view a symphonic prog album with neo prog vocals and some thin sounding neo prog structures too. The storyline is excellent, in a very disturbing painful way and the music is great too. 1000 Wishes is a great album which has made me donate some more money to my local cancer charity. The album really highlights the issue very few dare to speak about; young children with cancer. The band deserves eternal credit for that alone. But most of all; this is a great album, albeit a painful listening experience which has taken a lot out of myself. And so it should.

4 points

Sunday, 22 September 2013

Farpoint - From Dreaming to Dreaming (2004)



Their third album and my first introduction to their music.

Farpoint is a progressive folk rock band from South Carolina, USA. On From Dreaming to Dreaming, they comes across as a mix of Mostly Autumn and Pink Floyd. That and a solid slant of AOR too. They use both female and male vocals. The music is also very much guitars and keyboards orientated with some Pink Floyd like guitar solos. The bass and drums has a pretty standard sound without really over-working themselves. The sound is therefore pretty OK.

The first songs are pretty poor with some throwaway songs which sounds banal and frankly; cheap. I did not look forward to the final half of the album. The album improves radically from the sixth song Crying In The Rain and it really takes off a bit. Though with some country'n'western influences. Yes, Farpoint is from USA and what would come across as celtic folk music in Mostly Autumn's music comes across as country'n'western in Farpoint's music. That is natural. So my instinctive hatred towards country'n'western (or Americana as it is now officially called) is being subdued. That aside; the final songs are good and the band clearly has something to offer. So much that I will move onto their next albums.

This is a pretty good album who just creeps in to the good category.

3 points

Saturday, 21 September 2013

Kotebel - Ouroboros (2009)



Their fifth album.

I am not sure how to describe this Spanish band and their music. Keith Emerson and Marian Vargas is obvious influences in Kotebel's operatic, symphonic instrumental music. On Ouroboros, they have also incorporated both RIO and jazz. The result is both an intense and dense sound which plays on many different level. It is also music who floats somewhere between jazz, neo-classical music, movie soundtracks and rock music.

It is incredible hard to make good music in this niche of the scene Kotebel occupies. This music is love/hate for the listener. I feel both love and hate for this album.

It is frustrating to listen to an album I should really like, but where I find no real killer tracks which really moves me and makes me stop up and listen. I also loves their devil-may-care attitude and some of this music. It is refreshing to have bands like Kotebel who operates on the extreme fringes of the scene and offers up something entirely different again. And Ouroboros is a good album. It has some really good and great melody lines. But seventy-two minutes is too much for a casual Kotebel listener like myself. It is like I would like to go and hide under the bed when confronted by their music. Anyway, you have been encouraged to check out this album from their Bandcamp site.

3 points

The album (streamed and purchase)

Canvas - Long Way To Mars (2013)



The third album from this US band.

Canvas describe themselves as a mix of Camel and Alan Parsons Project. The latter one seems like a reasonable correct comparison. I am not sure about Camel though. Not at least on this album though. Canvas can best be described as a mix of prog rock, blues, AOR and contemporary rock. The vocals is both female and male. The sound is a mix of americana and indie rock. It is also very much in the 1970s tradition. This album could had been released in 1976.

The result is an engaging, commercial album which is only lacking a killer track or two to really light up the world. I fear this album will not stand out in the crowd of similar sounding albums. Besides of that, this is a good album I find really pleasing. But nothing more than that.

3 points

Coscienza di Zeno. La - Sensitività (2013)



The second album from this Italian band. A band whose self titled debut album created quite a stir in the scene. A great debut album and it would be difficult to better that album.

La Coscienza di Zeno is very much continuing in the same track on Sensitività. That means Italian prog in the epic and melodic Banco Del Mutuo Soccorso vein. They are very much this decade's Banco Del Mutuo Soccorso.

That means long song with a big sound filled with stunning great vocals, vintage keyboards, piano, guitars, bass and drums. That also means fifty-five minutes with long, epic songs with great melody lines and a vintage 1970s sound. The album are very much enhanced with the great vocals here.

The result is an album which continues to give and give. It is an album that grows on the listener, day by day. It is an album I first really liked and then fell in love with. It is as good as Italian prog anno 2013 gets. It is an album I think other bands will have problems better this year. It is an album which will turn non-Italian prog rock lovers into Italian prog too.

It is in short a real masterpiece of our time and it ranks among the best albums from the 1970s. It is an essential purchase.

5 points

Parentin. Andrea - Rock Progressivo Italiano: An introduction to Italian Progressive Rock (2011)



This is a review of a book for a change.

First off all, I have to start this review with a short disclaimer. The author has added me to the thank you list for reasons I do not fully understand. I am massive flattered by this inclusion though. My interest in Italian prog is based on the music alone and I am by no means an expert. The others listed in the thank you list is experts though.

And so is the author himself. A man with a passionate interest in Italian prog rock. That shines through in the book. A book written on a meagre budget. That explains the lack of any illustrations in the book. The lack of album covers and bandlogos is the shortfall of the book.

That aside, the book is as good as it can get. The first part puts the scene into it's right social and political context. A context difficult to understand for those of us who was not there. But the author has put the listener in the picture and I find this part of the book most interesting. I really learned something new.

The author's description of each of the albums he fancies is very interesting too. Again, I learned something new. Most of these albums are from the 1970s though. That decade is supposed to be the golden era of Italian prog rock. That view is disputed taken into the account the release off the new excellent albums from Italy since year 2010 and in particular this year. The final part, 25 % or so of the book is dedicated the new bands and albums. This presentation of the new scene is presented as a road trip. A highly effective way of presenting a scene. The author has very much continued on his blogspot blog Italianprogrockmap which serves as a continuation of this book.

The final overview of the links, Myspace and others, are probably already out of date as Myspace is slowly fading out of the internet and use these days. Use Google instead or the author's blog.

Both that blog and this book is the most complete Italian prog rock lexicon by a mile and the author is the leading authority on this scene. A lexicon I will use for many years until the author or someone else comes up with something better. Something I find highly unlikely.
Everyone who are into the Italian prog rock scene and want to learn more about it should get this book. It is as good as it can get. That is why I give it the full five points.

5 points

Wednesday, 18 September 2013

Argos - Cruel Symmetry (2012)



The third album from this German neo prog band.

It is a pretty fair observation that Germany has their own neo prog scene which largely is different from the British neo prog scene. The German sound is darker and much more art rock dominated. Their sound also incorporate a bit avant garde, kraut, eclectic and canterbury. Argos is very much in the forefront of this scene with Cruel Symmetry.

The band has branched out into Canterbury prog on this album. Caravan is an obvious inspiration here in addition to the sound being rooted in the typical neo prog landscape. Add a large dosage of Van Der Graaf Generator too and you get this pretty dark neo prog album. An album where also flutes is incorporated into a landscape filled with synths, guitars, bass, drums and a pretty dark Peter Hammill esque type vocal.

The result is a good to great neo prog album and one of the best I have ever heard from this scene. A very majestic album which soars towards the sky, but never get burned by the sun like Icarus did. The songs are long and symphonic. Fans of symph prog will lap up this album too as much as I do. This is a great neo prog album and band which deserves a lot more credit than it gets. It comes highly recommended.

4 points

Sunday, 15 September 2013

Camelias Garden - You Have a Chance (2013)



Yet another debut album from Italy in the, broadly speaking, prog rock genre.

This time in the more folky pop-rock end of the prog rock genre. Not strictly Italian prog rock. But more like British folk rock. This band sings in English and has musically relocated themselves to England, although they are living in Italy. Fair enough..... although I would prefer Italy if given the chance.

The sound is English and the band has taken a lot from both early Genesis and Magna Charta. There is a lot of pop-rock here too. The vocals is light and airy. The use of organs, flutes and acoustic guitars gives the sound an acoustic feeling. There is a lot of vocal harmonies on this album too. This is indeed a folk rock album.

The wonderful first bars of the opening track Some Stories gives me a lot of Genesis vibes. Unfortunate, those are not representative for this album at all. The music has too much pop-rock vein for my liking although there is also a lot of early Genesis like stuff here too. That said; this is a very good debut album which shows a lot of promise. I hope this is not a one of album from a band who disappears again. Give us some more, please. Count me as one who would like to follow this band with great interest.

3.5 points

Flaming Bess - Tanz Der Götter (1979)



The debut album from this German symph prog band who are still going strong. They released a new album earlier this year. It is about time for me to check them out, then.

Flaming Bess comes across as a mix of Camel and Eloy on this album. No less and no more. Their music is mostly instrumental with a lot of keyboards, guitars, bass, drums and some woodwinds. The music is not particular intense. Neither is it lounge music. The krautrock influence is very strong on this album. It is obvious that this album has been released by a German band. But Camel is still also very much present in their sound.

The music is pleasant enough with some long electric guitar and keyboards runs which really pleases me. A couple of great tracks would had been great though as this album lacks a bit bite and substance. It is still a good album and a great album for anyone who really fancy instrumental symph kraut prog. I can understand why this band is popular, yes.

3 points

Saturday, 14 September 2013

Arlon - On The Edge (2013)



A Polish band with their debut album.

They are very much following a well trodden path too. Neo prog mixed with some pop and metal. We even get a (power) ballad here. Some seconds with a saxophone on one of the tracks and some piano on another track breaks up the well used synth, guitars, bass, drums and male vocals formula which the music here is performed with.

This album scores zero points when it comes to originality. The music itself is competently delivered. The sound is good too. The problem is the lack of any great songs and the slickness of it all. Arlon takes no chances and does not deviate from this well used formula. A formula used by countless other bands, releasing albums like this.

On The Edge is a competent decent album which delivers the goods. Lack of originality drags it down to two points.

2 points

Agents Of Mercy - DramaRama (2010)



The second album from this Swedish supergroup.

Agents Of Mercy was setup as a more melodic outlet for Roine Stolt than his regular band The Flower Kings. A bit of that band meets The Beatles. Well, make that ELO. The Flower Kings meets ELO. Add the typical Swedish sound and you get this album.

The music is good without any really great songs. The music is a bit too sugar sweet for my liking. Some more balanced bites would had made the songs better. The band has moved in a slightly more symphonic direction from their debut album and that is welcome. Nad Sylvan's vocals is a matter of hate/love. I am leaning more towards hate than love.

The main impression of this album is that it is non-offensive and pretty bland. It is still a good album though which will find it's fans among diehard Flower Kings and Kaipa fans.

3 points

Fuchs - Leaving Home (2012)



The debut album from the experienced musician and multi-instrumentalist Hans-Juergen Fuchs. A German with some albums with his wife. Fuchs is thankfully a full band effort with lots of other musicians involved, including his wife Ines Fuchs.

We are deep into neo-prog here. Neo-prog with a lot of AOR elements. But still pretty standard neo-prog. The music is performed with tonnes of guitars, synths, drums, bass and both male and female vocals.

The sound is both rich and clear. The songs are all good. Hans-Juergen Fuchs does not bring anything new to the scene. He rather follows the broad well trodden path laid down by other bands. The result is a pleasingly good album which works for those into this type of music. A couple of great songs would had elevated this album to a new level again. This is still a good album.

3 points

Deep Purple - Now What ? (2013)



The brand new Deep Purple album has been both branded as their return to form and a prog rock album too. Hence, I purchased it.

I gave up on this band after the poor House Of Blue Light album. I have never heard a song from the Morse/Airey lineup. Not because I cannot stand them. It is just that I could not be bothered. I am also missing John Lord. The band is touring this planet nonstop and is having a great life. That and success. They fully deserve it. So I have given their albums a wide berth.

Until I heard all the good things about this album, that is. Words which I felt is not justified based on the first half of this album. The first songs is cheeky, typical pop-hard rock Deep Purple. Tiresome in my view. The final half of this album is what really interest me more and which justifies the praise it has got. The music is harder and more elaborate. The compositions is full of flesh. Don Airey and Steve Morse shines a lot on this album and they feels right for Deep Purple. Even Ian Gillan, which voice is reputed to be finished and dead, really comes alive here.

In short; this is an album in two halves. The first half is decent enough. The final half is bordering to being great. It feels like even Deep Purple has woken up again and released their best album in ages. Just like many other dinosaurs has done during the last two years. We are indeed living in the golden age of music. Enjoy.

3.5 points

Wednesday, 11 September 2013

Active Heed - Visions From Realities (2013)



The debut album from this Umberto Pagnini lead Italian project. A project which also include Mark Colton from Credo and some others. That include the Norwegian vocalist Mari Borresen.

Umberto Pagnini is using the Active Heed name as his vehicle. The music most of all sounds like a singer-songwriter project and he could have released it under his own name. Neither Bob Dylan or Bruce Springsteen suffered a career meltdown, using their own name when they released their singer-songwriter albums. But releasing Visions From Realities under the Umberto Pagnini name would had brought clarity to this proceedings. Proceedings which essentially is a pop-rock album with some hints of prog rock.

Umberto's vocals is dominating here, sometimes helped by Mari and Mark. They are backed by guitars, bass, drums and synths. The sound is very much contemporary. Umberto's vocals are great and the music is built around them. Which again makes me wonder why he did not release this album under his own name. I would had done that.

The quality of the songs are good. What makes this album slightly uninteresting is the generic pop-rock sound with generic acoustic guitars sound. It is a sound done by many other singer-songwriters this year. I would rate this album somewhere between decent and good. I would still wish Umberto good luck and note that I am not among his target audience.

2.5 points

Hollow Branches - Okanagana Waves (2012)



The debut album from this USA-Norwegian internet collaboration. A collaboration between Marius Sjolie and Robert Osgood.

Okanagana Waves takes us deep into melancholia, ambient and post rock. Or post prog for that matter. The sound pictures is being painted by guitars, synths, drums, bass, piano, computers and Robert's both very fitting and great melancholic vocals. Not exactly a party in the local community hall, this album.

The sound walls is not particular overpowering, the silent ambient reflections being the tool used by the band. "Less is more" is the motto here. 

The result is an album which slowly creeps up on the listener. But not enough is my view as there is no real great tracks here. I really like what I hear, but I am not overawed by this album. The band has done everything right bar writing great tracks. Those into ambient rock should check out this good album though.

3 points

Space Mirrors - In Darkness They Whisper (2012)



The fourth album from this Russian-Australian internet cooperation band.

Space Mirrors delivers what the label says. Space rock. Well, more than that. I would say space metal instead of space rock. The guitars are chugging away in typical power metal and at times; death metal time signatures and riffs. The vocals is a mix of Depeche Mode and Bolt Thrower. The synths sometimes reminds me about both Nocturnus and Hawkwind. The end result is music somewhere between death metal, goth, power metal and space rock.

Quality wise, this is not bad at all. One of my pet hates is power metal and there is far too much power metal here. The album is too much dominated by power and goth metal. There is not much good music here either. The album also gives me a metallic taste in my mouth. Hence my verdict who is somewhere between decent and good.

2.5 points 

Area - Maledetti (1976)



The fourth album from this Italian experimental prog rock/jazz band.

Area under the guiding light of their dominant vocalist Demetrio Stratos was always very experimental and avant garde. Maledetti takes avant garde to a new level again. During this forty-two minutes long album, we get everything from RIO to classical music to space rock and jazz. All of it really out there in the outer space, spaced out and not easy to grasp.

This creates a fragmented piece of music which loosely can be called an album. The music is also very playful without really having much of a purpose. Maybe it does, but it does not feel like it. There are some really great pieces of music here. There are also some pieces of music which leaves me cold too.

Maledetti is very much an album which proves Area's relevance and I am glad I got this album. It is not a great album though. It feels too fragmented and it has some not so good music. It is still a good album though.

3 points

Sombre Reptile - Timeless Island (2012)

T

The third album from this French fusion band.

Fusion as in a mix of jazz and ambient music in this case. After the very promising electric guitar solos driven opening track Out Of The Jungle, the tempo slackens down a lot with a mix of electric guitars and keyboards. A lot of the music is ambient and rather uninspiring. The melodies is not that good either.

I am most of all missing the type of intensity and drive the really good fusion albums and bands always have. The good melodies..... you don't find them here. Timeless Island is a very laid back album which may work as a relaxation album. But the jazzy interludes will break up any relaxation the listener seeks. I have been listening to this album both at my daily train commute and at home. It is most definate more suitable commuting listening. It is still nothing more than a decent album though. Sorry......

2 points

Tuesday, 10 September 2013

Progenesi - Ulisse: L'Alfiere Nero (2013)



The debut album from this Italian band.

I am not a big fan of instrumental prog rock. Camel and ELP has done what has to be done in this genre. I am also a fan of Italian vocals as an instrument although I don't understand a word Italian. I find instrumental prog a bit toothless unless strong fusion and King Crimsion elements is included.

Progenesi's debut album has neither. What Ulisse: L'Alfiere Nero has instead is long and soaring melodies in the best of the symphonic prog traditions. Bethoven and Chopin can be heard in their melodies. So can the influences of ELP, The Nice and Genesis too. There is not much Italian prog rock here though. The band is clearly looking more towards England than Italy.

The result is, for a change, a great instrumental prog rock album. An album which stands up there with some of the best Italian prog rock albums this year. And that says a lot. 2013 is no doubts Italy's year and this album is highly recommended.

4 points

Sunday, 8 September 2013

Hax Cel - Zwai (1972)



Another one of German krautrock band.

This band only left a '7 single and this live recording behind them before they disbanded. This was re-released by the German label Garden Of Delights as one CD back in 2001. A label who has done great things for the scene.

It is therefore a pity that I don't find this album particular interesting. Hax Cel's brand of krautrock is a mix of pure classical music and flutes driven folk rock. There is not much synergy between these two extremes either. I get the feeling this is two bands under one name.

Zwai is a highly original album. Originality does not means good though in this case. This is a decent enough album and one for the krautrock purists. But not for the casual krautrock fan.

2 points

Saturday, 7 September 2013

Zao - Kawana (1976)



The fourth album from this French band. A band who started out as a zeuhl band in the shadows of Magma but who very quickly moved to the jazz and fusion genre.

Kawana is very much an album in the Mahavishnu Orchestra and Soft Machine mould. A mix of those two bands in my view. Electric violins are mixed with woodwinds, keyboards and piano. Those carries the music along. And the music is great throughout. I really love this kind of music and have found a new good friend in this album. The solo runs are great and the band is tight. The music is not as jaw dropping intense as the best albums from the two above mentioned bands. It is still a great jazz album though and highly recommended.

4 points

Sphin'x - Sphin'x (2013)



The second album from this French band and my first taste of them.

The album starts out as a mix of Pink Floyd and Rush anno the 1980s. Rush anno Signals to be more precise. Then it moves to a harder edge rock and more art rock like Pink Floyd, Tears For Fears, Porcupine Tree, Rush and Simple Minds.

The result is a good fifty minutes with pretty commercial music which is only lacking one important ingredient: Good to great songs. All other ingredients is there. Long guitar solos, good vocals, some good electronica and samples, thundering bass and drums and some soaring keyboards.

I am not sure if this is a decent or a good album. The sound is good so that puts the album in the good category. If you love mainstream rock, this album is well worth checking out on Youtube. If not; forget it.

3 points

Thursday, 5 September 2013

Runaway Totem - Affreschi E Meditazione (2012)



Their ninth album.

I have followed this Italian band with a great interest over their previous eight albums. All of them reviewed here and other places (I will repost those reviews here in the coming days).

Their 2011 album Le Roi du Monde is a brilliant album and the band were on an upward curve. Then they release this album. An album I first thought was released by a German raga inspired krautrock band. Krautrock with Indian raga rock is what we get here. And not raga krautrock of the highest order too.

Some of this album reminds me about Amon Duul. Other parts of this album has faint traces of the band I once knew as Runaway Totem. The end result is a disappointing album which is only saved from a turkey-status by the closing track Inno a Surya.

But this album is their weakest ever album and one I would not recommend to anyone. I am really sorry.

2 points

Wednesday, 4 September 2013

Korai Öröm - 2013 (2013)



The ninth studio album from this Hungarian space rock band.

I have never heard about them before I sunk my teeth into this album. An album which sounds like another space rock band I have been ignoring for too long; Ozric Tentacles. In other words; sparse instrumented organic space rock where the music breathes instead of steamrolling over the listener.

On this album, the bass and the drums plays a central role as they are guiding a single half acoustic guitar helped by some electronica. That on some really great melodies. Melodies which makes me stop up and really listening to this album from the first tone to the final tone of the album.

In short; this is a great album from a band who really deserves more than barely a cult status. They deserve much more than that. Get this album.

4 points

Not A Good Sign - Not A Good Sign (2013)



The debut album from this Yugen, Ske and La Coscienza Di Zeno members band. An album released on the mighty Altrock Records label. So it is avant-garde rock, then.

Nope. This album is by far the most melodic album this label has ever released. It is still by no means a pop-rock or even an AOR album, though. This project places themselves safely between Genesis, Anglagard, Anekdoten and King Crimson. Symphonic eclectic prog is the best label for this music, if you insists.

The music is mainly performed with vintage keyboards and electric guitars. That and bass, drums and some great vocals. The songs are surprisingly short. Average length is around five minutes. They still packs a mighty punch though. Sometimes, less is more. The songs are in the epic, majestic vein. They are all very good to great. This is an album I really enjoys and I am not afraid to be swept up in the hype surrounding this album. Sometimes, a hype is justified. In this case, it is. This is a great album for the fans of melodic, but still eclectic music.

4 points

Sunday, 1 September 2013

Saga - Marathon (2003)



Their album number 15.

It is also a return to their past. The sound is different and a lot more fresh than their 1970s album. Besides of the sound, the material here is much as in the same vein as their first four albums. Even the artwork is pretty much in that style.

The result is an album which reminds me why I liked this band when they broke out of Canada 35 - 40 years ago. OK, the songs here are not particular great. But all Saga trademarks is here and they also sounds heavy for a change. There is plenty of punch in these songs. Not the horrible pop music they did on a couple of albums. Steel Umbrella springs to mind......... My faith in Saga has been restored with this very good album which sadly is lacking a killer track or two. But I am not complaining that much. Saga fans, rejoice.

3.5 points